In the design process these marked stages are represented as stations throughout the pathway that are treated with different materials even in the form of vegetation that consign to the above major themes. The first station is a marked by a stone in a lily pond surrounded with flowering trees, the tooth that fell from the moon and initiated the foundation of the Kanak tribe. The second station has an agricultural theme and is dominated by local vegetable such as yams, taro, bananas and sugar canes that are cultivated in the traditional manner. Gravel set path with a series of coconut palms lead to the third station; the commencement of a hut that certifies the ancestral land. The forth station is recognised as a sacred place; the walkaway is marked by a kaori tree that protects the spirits and symbolises death. However, the space is centred by a Banyan tree with naturally deep roots and resistance to the local climate that denotes the regeneration of the tribe, which leads to the forth station which is marked by a stone and opens up to the ocean; the place of rebirth.